Edited by way of popular Allen specialists, A spouse to Woody Allen provides a suite of 26 unique essays at the director’s motion pictures. Contributions provide a few divergent severe views whereas increasing the contexts within which his paintings is understood.
• A well timed better half by means of the authors of 2 of an important books on Allen to date
• Illuminates the movies of Woody Allen from a couple of divergent serious perspectives
• Explores the contexts within which his paintings can be understood
• Assesses Allen’s extraordinary filmmaking occupation from its early beginnings and investigates the conflicts and contradictions that suffuse it
• Discusses Allen’s attractiveness as an international cinematic determine
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Additional info for A Companion to Woody Allen (Wiley-Blackwell Companions to Film Directors)
It mixes the macho posturing of the Western hero with elements of Eastern fantasies to produce something the likes of which had not been seen in Hollywood. Although there are numerous elements that look back to the popular 70s Hong Kong films as well as the Japanese Baby Cart series, the main point of reference is Tsui Hark’s seminal New Wave fantasy Zu: Warriors From The Magic Mountain (1983). Zu’s dazzling array of quirky and hyperkinetic special effects remains a landmark in Hong Kong cinema, director Hark enlisting the aid of Western special effects artists to realise an Eastern vision, the results of which are bounced back for integration into Big Trouble In Little China.
Zu’s dazzling array of quirky and hyperkinetic special effects remains a landmark in Hong Kong cinema, director Hark enlisting the aid of Western special effects artists to realise an Eastern vision, the results of which are bounced back for integration into Big Trouble In Little China. In terms of more Western influences Mike Hodges’ camp masterpiece Flash Gordon (1980) has a lot to answer for in the costume and lighting department, as well as Lo Pan’s easy comparison with Ming The Merciless. Key to the film is Jack, our rugged hero.
Fm Page 49 Sunday, March 18, 2001 3:12 PM This is a wonderfully realised effects sequence taking full advantage of both technology and the epic feel of a wide screen. The mother ship is absolutely huge, a mirrored gleaming example of alien technology with its surface reflecting the military helicopters that are bombing it. Despite the wonder that accompanies this impressive display, the overall feeling remains, if you’ll forgive the pun, down to Earth. The parting of Starman and Jenny, with their offspring (who we are told will become a teacher and retain a spark of alien genetic structure) gestating as hope for the future.
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